AAV 101 – Experiencing Art
Three four-week modules that explore different media and different goals in the process of making and looking at art: 1) two dimensional; 2) three dimensional; and 3) digital imaging. The curriculum will be introductory in nature, offering a conceptual explanation of and hands-on experience with fundamental concerns of understanding and creating works of art. Students will be rotated through the different modules. In each module, they will be presented with a theoretical context and receive instruction and practice in each.
Offered occasionally.
AAV 102 – Visual Thinking
Visual Thinking initiates investigation into current forms of artistic production. At the heart of Visual Thinking lies the question “What is Art?” Visual Thinking challenges the traditional status of the art object as product and refocuses artistic creativity in the process of art making, the ideas invoked and the meaning of cultural production. Among the approaches to art making that will be researched and put into practice will be the readymade, public intervention, performance and ephemeral works, language and the use of signifiers.
Typically offered fall and spring semesters.
AAV 111 – Drawing
The purpose of the course is to cultivate the student’s ability to express ideas visually and to develop confidence in drawing a variety of subjects with diverse materials. Exercises cultivate skill in determining composition, rendering geometric shapes, depicting perspective and three dimensional illusion, fashioning light, shade, proportion, scale, surface and textures as well as arranging still life composition. Field trip(s) required.
Typically offered fall and spring semesters.
AAV 112 – 2D
This course provides essential concepts and skills necessary to function as a visual artist (graphic designer, digital artist or traditional fine artist). Strong emphasis is placed on the visual component of art; how to apply the elements of art (line, shape, color, texture and space) in order to accomplish one’s subjective goal. Color, as a visual element, is singled out in this course because of its complexity, importance in our visual environment, and the limited knowledge entering students have regarding the subject.
Typically offered fall and spring semesters.
AAV 113 – 3D
This course focuses on projects that explore the fundamentals of form and space and investigates the proper materials, structure, mass, scale, light and motion. Class discussions introduce a variety of conceptual and material processes that generate production. Intention, form, materiality and context are the subject of general class discussion. Techniques and approaches may include the creation of objects informed by abstract ideas, performance involving 3D objects, and an introduction to 3D installations.
Typically offered fall and spring semesters.
AAV 130 – Photography I
This course introduces students to photographic equipment and practice using light to create art. With an emphasis on personal vision, it is designed to develop art-related technology skills, personal aesthetics, an awareness of photography history, and critical thinking. At this introductory level, the student will become proficient in using a digital SLR (single-lens reflex)camera to create photographic prints. This process will include comprehension of the hand-held camera controls, effectively using natural and controlled light, the ability to control the exposure of light in the camera, comprehension of the tools and techniques of digital photography including the digital camera, printing, and image-editing software (Adobe Lightroom and Photoshop). Through the use of the digital camera and digital imaging, students are challenged to create work that strikes a balance in form, content, and technique.
Typically offered fall and spring semesters.
AAV 140 – 4D
4-D introduces the concepts, theory, and fundamental practices of working with time- based media. Students will investigate the photographic frame, sequencing, and narrative construction. The relationship of image to time, image to text, and image to sound will be the base of examination. Students learn storyboarding and basic operations for developing video imagery. They are given project provocations to challenge their notions of photo/video structure and functions. They are exposed to innovative work in the field and are required to read related writings.
Typically offered fall and spring semesters.
AAV 200 – Sophomore Review
The Sophomore Review is a mandatory portfolio review for all sophomores and will be held yearly at the end of spring sophomore semester. Transfer students are qualified to take the review after the completion of four Art Department courses. The review provides students with the opportunity to present and discuss their completed TCNJ studio projects. Faculty will assess student’s achievement of primary goals of the major and its curriculum. Faculty will identify student work strengths and areas for concern for junior-level advancement. The review is pass or unsatisfactory. If a student’s work is unsuccessful, he/she must apply to retake the sophomore review before the mid-term of the following semester. Students are permitted only one failed assessment. Transfer students are qualified for the review after the completion of four Art Department courses.
Typically offered spring semester.
AAV 203 – Exploring London Through the World of Art and Chemistry
Through the exploration of art history, art practice, and the basic principles of chemistry, students will look at current and past practices in art and explore how the two relate. Field trips to museums, galleries, sculpture gardens, public parks, and other venues to view art will be explored. Classroom lectures explaining chemical concepts will be integrated into the course. Descriptive journal writing, oral presentations on selected topics and a final project will be expected. A one day pre-meeting and one day post meeting will be held at TCNJ.
Typically offered summer semester.
AAV 211 – Drawing II
This course is an intensive study of the human figure. The course will focus on skills including gesture, contour, structure, volume, movement, composition and form by observing the human figure in various poses, settings, and light conditions. Students will be introduces to a variety of materials, approaches and traditional and contemporary practices in figure drawing.
Typically offered spring semester.
AAV 213 – Sculpture I
This course focuses on the exploration of fundamentals of form and space and investigate the properties of materials, structure, mass, scale, light and motion. Class discussions introduce a variety of conceptual and material processes that generate production. Intention, form, materiality and context are the subject of general class discussion. Techniques and approaches may include the creation of objects informed by abstract ideas, performance involving 3D objects, 3D installations, objects in the public sphere, site specific objects, video incorporating 3D objects and 3D assemblages.
Typically offered fall semester.
AAV 214 – Printmaking I
An introductory survey of fine art printmaking techniques. The making of monotype, relief, screen printing, intaglio, and collage prints will be explored through creative projects. Emphasis on exploring color and composition, experimental, and contemporary developments of printmaking techniques.
Typically offered spring semester.
AAV 215 – Painting I
An introductory studio investigation of the concepts and techniques of painting, and the major historical painting styles. Emphasis is on the development of painting as a foundation for the development of a personal visual language. Acrylic or oil media may be used.
Typically offered fall semester.
AAV 216 – Fiber Art
An introductory studio investigation of the media of fiber and fabric. Emphasis on the various techniques of stitching, stuffing, knotting, dyeing, weaving, and creative problem-solving.
Typically offered once a year.
AAV 217 – Ceramics
A studio investigation of clay that focuses on the creative and expressive uses through a broad range of approaches including installation, performance, mixed media, papermaking, printmaking, painting and more. Hands on skills including throwing, building, molding, glazing, and firing will be studies. Exploring the histories and contemporary practices in the process of developing a personal vision will be emphasized.
Typically offered once a year.
AAV 218 – Book Arts
An introduction to Artist books designed to bring together students with differing backgrounds who approach this art in their own unique ways. This is a projects-oriented course that involves students in the discussion, critique, planning, and design of books in a range of book-production media. The course introduces terms, formats, book genres, design concepts, and production practices. Examples of projects include wearable books, alternative book structures, Japanese bindings and Japanese design, Coptic binding, tunnel books, and creating books with foldouts. In addition, the final project gives each student the opportunity to plan and execute a book design project that reflects his or her particular interests. Historical and the contemporary book arts practices will be investigated.
Typically offered once a year.
AAV 230 – Photography II: Documentary
Photography II explores advanced photography with digital and traditional techniques. Students will be challenged to investigate and explore their own creative direction while expected to complete this course with technical proficiency and to have a fuller understanding of photography’s critical context in contemporary art. The conceptual and theoretical characteristics of digital photography will be evaluated within a broad cultural context and students are required to read related writings.
Typically offered fall and spring semesters.
AAV 231 – Studio Lighting: Photography/Video
This course introduces students to various photographic equipment and practice using natural light and using flash. With an emphasis on personal vision, this course is designed to develop technological skills, personal aesthetics, an awareness of the history of photography, and critical thinking.
Typically offered spring semester.
AAV 234 – Darkroom/Alternative Process Photography
Darkroom/Alternative Processes is an introduction to traditional photographic practices and procedures for using light to create imagery. With an emphasis on personal vision, this course will develop art-related technological skills, personal aesthetics, an awareness of the history of photography, and critical thinking related to image production. The course will present an introduction to 19th-century photographic processes: cyanotype and Van Dyke brown prints, calotype or palladium printing, camera and film manipulations, and the use of liquid photographic emulsions. Students will have the opportunity to build their own pinhole cameras, learn digital technology for creating photographic negatives for contact printing and become proficient in the use of darkroom and printing facilities. Group and individual assignments will be given to push the creative boundaries of analog photography. Reading, writing and presentation assignments will provide context of the history, practices and current practitioners using these varied techniques.
Typically offered spring semester every 2 years.
AAV 244 – Video I
Video I builds on time-based knowledge and skills learned in AAV 140 4-D. It advances student’s technical and conceptual understanding of video with an emphasis on editing and building a personal vocabulary. Students will focus on production skills (using different sound sources, lighting, and advanced framing) and post-production skills (codex, complex editing, and compositing) while further developing a conceptual approach to this medium. The course will be taught by demonstration, lecture, presentations, and critiques.
Typically offered fall semester.
AAV 270 – Topics in Visual Arts
This course may be offered as either a studio and/or lecture class and focuses on a different topic in the visual arts with each offering. May be repeated as topic changes.
Offered occasionally.
AAV 311 – Drawing III
Continued studio investigation of drawing as a means of personal expression. Emphasis on a more intense employment of a variety of drawing media applied to creative, personal visual expression. May be repeated.
Typically offered fall semester.
AAV 313 – Sculpture II
This course helps students to develop projects related to their own vision and ideas. Research and development will be given equal weight with finished work. A broad range of conceptual and material processes, intention, form, materiality, and context are the subject of general class discussion. May be repeated.
Typically offered fall semester.
AAV 314 – Printmaking II
Specialization in one printmaking medium: lithography, screen printing, intaglio, relief, collography, monotype etc. Emphasis is on exploring a creative, contemporary application of these techniques.
Typically offered spring semester.
AAV 315 – Painting II
Continued studio investigation of the medium of painting as a means of personal expression. Emphasis on the development of advanced technical and stylistic original work, and the creative processes artists use in the development of a painting. May be repeated.
Typically offered spring semester.
AAV 318 – Theory & Practice in Fine Art
The course is designed to develop the student’s understanding of theoretical material and issues in contemporary fine arts. The course will be composed of readings, seminar discussion, field investigations, and class and faculty critique. Field investigations will include gallery visits, meetings with curators, and visits to artists’ studios. This exposure will enhance the student’s knowledge and understanding of issues related to the art profession. Students will be required to research a relevant topic in contemporary art and present this material to the class and instructor. Student research will be guided by individual, class, and faculty critiques in the initial development of their Senior Thesis. This will culminate in a Senior Thesis Exhibit in AAV 412, the sequel to this course.
Typically offered spring semester.
AAV 330 – Photography III: Image and Narrative
This course explores advanced photography with traditional and alternative-process techniques. Students will be challenged to investigate and explore their own creative direction. Students are expected to complete this course with technical proficiency and to have a fuller understanding of photography’s critical context in contemporary art. May be repeated.
Typically offered fall semester.
AAV 331 – Advanced Projects in Photography and Video
Advanced Projects introduces students to advanced photography and video production through technical workshops and topical, formal, or thematic project investigations that are determined by the student and faculty. Video and photography have distinctive traditions and conventions but there are elements that link these media together including physical and conceptual framing, investigations in sequencing, implicit and explicit references to time and the importance of lighting. Artist presentations, lectures on contemporary art, studio visits, and film screenings will accompany assignments.
Typically offered spring semester.
AAV 338 – Theory & Practice in Photography and Video
The 20th century marked the advent of visual artists employing electronic equipment to develop creative works, from mechanical sculptures to film, television and radio to evolving digital processes. This class offers an informed historical vision of the developments that have brought us to a contemporary artistic world that embraces emerging technologies as a creative medium. A critical understanding of how culture and technology are interwoven and how it is that these two elements of human experience affect one another is investigated. The course content includes an introduction to various artists using electronic media, video, robotics and the Internet as well as a chronological timeline of the development of new media.
Typically offered spring semester.
AAV 342 – Installation, Performance & Media
This course is an exploration of the advanced aesthetic, conceptual, and technical aspects of digital video in relation to performance and installation art. This course focuses on themes such as gesture, movement, space, and body; site-specific work; architecture and definitions of space; uses of light and material; and the formation of an event or situation. Gallery and museum field trips, as well as attendance at artist lectures, required.
Typically offered spring semester.
AAV 370 – Topics in Visual Arts
This course may be offered as either a studio and/or lecture class and focuses on a different topic in the visual arts with each offering. May be repeated as topic changes.
Offered occasionally.
AAV 391 – Independent Study in Visual Arts
Independent study is for students engaged in advanced work only and is an opportunity to develop personal interests and strengths within the major field. Emphasis is on individual, self-guided work under the supervision of a faculty advisor and/or committee. May be repeated.
Typically offered fall and spring semesters.
AAV 399 – Internship in Visual Arts
The primary purpose of the college-level internship experience is the development of occupational or professional competence in the actual occupational setting after the student¿s education has been completed. Other purposes (income, career exploration, learning-by-doing, on-the-job training, etc.) cannot be the primary purpose, although they may occur as a secondary result of the internship experience.
Offered fall, spring, and summer semesters.
AAV 412 – Senior Thesis in Fine Art
Intensive research and study within a studio concentration which culminates in the public presentation of the senior exhibit. Students will be required to prepare and present this body of work, their visual thesis, for critical review to an Art Faculty Committee prior to its public presentation in the Senior Fine Arts Exhibition. Additionally, students will be required to develop professional marketing materials and actively participate in the organization, installation and final exhibition.
Typically offered spring semester.
AAV 432 – Senior Thesis in Photography and Video
This course combines intensive research and study within a studio concentration which culminates in the public presentation of the senior exhibit. Students will be required to prepare and present this body of work, their visual thesis, for critical review to an Art Faculty Committee prior to its public presentation in the Senior Fine Arts Exhibition. Additionally, students will be required to develop professional marketing materials and actively participate in the organization, installation and final exhibition. Students will continue Field investigations including gallery visits, meetings with curators, and visits to artists’ studios. This exposure will enhance the student’s knowledge and understanding of issues related to the art profession.
Typically offered spring semester.
AAV 461 – Professional Practice
Professional Practice is an intensive research/study and studio concentration in Fine Art and Lens-Based Art that extends into the practical professional dimensions of a career in the arts and the larger professional field. Students create and present a body of coherent artwork for critical review to an Art Faculty Committee that can be used as a foundation for their visual thesis project in the following semester. Through extensive fieldtrips, readings and practical assignments, students are exposed to the larger professional field and introduced to professional development training to cultivate successful careers in the arts. A minimum grace of C is required in this and all other major courses to graduate from the program.
Typically offered fall semester.